After weeks of endless sunshine, the weather finally broke today and I popped down to the sea at West Kirby. At the Marine Lake there were loads of windsurfers whilst out on the estuary a number of kite surfers were taking advantage of the wind. I used a lens I’ve not used for a while, my EF 70-200mm f/2.8L USM and took a few shots of the kite surfers but there was nothing to write home about so I got the old super stopper out and reverted to type with some long exposures facing Hilbre Island… This time I was able to use my new very hard 2-stop ND grad filter from LEE as well. I remembered to take an umbrella this time to shield the camera from the wind too and it seemed to do the trick. Plus it gave me some welcome shelter as well!
Last Sunday I did something I haven’t done in a while and attended a photography workshop. This was organised by Cambrian Photography Limited in Colwyn Bay and run by Paul Sanders. It was actually called a Fujifilm X-Series and GFX workshop but the initial blurb I saw on Facebook suggested that (a) you don’t need to own a Fuji camera and (b) you need to arrive with an open mind and a liking of cake. Two ticks for me!
The night before I was umming and ahhing over what to take and decided to persevere with my lightweight travel kit. I haven’t used the 5D Mk1 at all since getting the M6 back in August but I still have use of all my lenses thanks to the adaptor.
After a decent bacon and sausage buttie at Blod’s Cafe I wandered over to Cambrian and met some of the other attendees outside the shop. We were soon ushered inside to where others were waiting and after a brief introduction by Paul we set out.
The plan was for long exposures on the beach in the morning and macro at Aber Falls in the afternoon. We ended up at Penrhyn Bay for the long exposures which was fine until I realised I’d forgotten my tripod adaptor! Duh! Fortunately I was able to borrow a tripod so eventually took a few shots. Finally after trying for months I managed to make good use of my mist filter. Normally the effect ends up looking forced and unnatural but I think this time it helped things. Speaking of filters I decided that I really did need to equip myself with a hard ND grad filter rather than my soft grad for use in such scenarios where the horizon is pronounced.
After a couple of hours we headed to a local cafe, The Loaf for lunch. Another attendee, Jonathan (a fellow Lenswork subscriber), and I sat with Denis and Fre Hocking over an enjoyable long lunch.
Suitably fed and watered we headed out to Aber Falls. I don’t particularly enjoy macro but there were more opportunities for long exposures in a little stream or of course at the waterfall itself. I chose not to trek to the falls but to potter around by the stream near the car park.
The day was well organised, and very relaxed. We overrun by a hour or so, likely due to the extended lunch break but no-one was complaining. It was a great day with lots of assistance being offered by Paul and the whole Cambrian Photography team. Being Wales it obviously rained during part of the day but it was at the very tail end and didn’t spoil anything.
For the first time in a while I managed to get out with the camera and spend an hour or so wandering round. I came across some playing fields and spent some time exploring. Next to the playing fields is a a cemetery and completely in line with the penalty spot and the centre of the goal is a large stone cross, perhaps offering divine intervention and an unfair advantage for any believer about to take a penalty…
I’ve had a couple of ideas for a project to start working on and there are irons in fires so hopefully something will happen, or even ‘kick off’ to use relevant terminology but I’ll just have to wait and see…
As an aside this image is actually my first attempt at HDR, generated from 5 images and merged within Adobe Lightroom. I’m not normally a fan of the overly synthetic look that HDR delivers but it seems to be OK here. The final image was then adjusted using the LW Warm Tone template from LensWork Online. I absolutely love this tone and spent ages trying to match it until I discovered it was available to download!
In my efforts to capture a decent long exposure with the Big Stopper during a recent trip to Roker, I was forced closer to the water’s edge for two reasons. First I could only attach the filter to my 17-40 mm lens and secondly in order to ensure there were no distractions, the wide angle lens would only be suitable if I got between said distractions and the water.
I found a great little spot at Roker Harbour where the water came quite close to the pavement so I didn’t even have to get sand on me or my equipment – always a bonus! As I was setting up there were some nice shafts of light coming through the clouds so I stuck on a polariser and 0.1 ND grad and took a few shots. I then added the Big Stopper. I calculated I needed a 128 second exposure but it looked too dark once completed.
The sun was continually breaking through and then being covered by the clouds so I then experimented at 180, 240 and 360 seconds. My initial preference was the 6-minute exposure but after consideration I chose the 4-minute one above. It’s slightly over the time as my fat fingers hadn’t released the shutter properly. I think I’m getting there. Some additional foreground interest would help I think – a couple of decent sized rocks or posts, but I included the water’s edge to compensate for the lack of those.
Last week my other half had to travel to Sunderland for a meeting so I thought I’d tag along and we stayed in nearby Roker. I was keen to visit as my friend Paul Mitchell had taken (as usual) a stunning photo of the pier there. I was also hoping for the opportunity to take some more long exposures as it’s a form I really enjoy but one I’m finding difficult to master.
Sunrise was at 05:01 so fifteen minutes before I was set up but was immediately faced with two problems. First the tide was out and to take a shot that showed the curve of the pier nicely I would need to be quite elevated. Elevation wasn’t a problem thanks to the road that ran along the coast using my normal 17-40 mm lens would mean capturing a whole load of unnecessary foreground and lamp posts. Instead I tried my 100 mm lens which framed the image nicely. The real problem was that I then couldn’t attach any of my filters as I didn’t have a 58 mm adaptor ring.
Annoyingly the image, whilst nice, looks to be an attempted straight copy of Paul’s in terms of framing – something I was anxious to avoid! Photographers tend to develop an annoying habit of just copying what is perceived to be a good shot. I want to neither do, nor be accused of that but I think in this instance the shape of the pier and the plethora of encroaching objects meant there was only one obvious way to frame the shot.
Anyway it’s different enough from Paul’s in that it’s not a long exposure, and the cloud cover meant that a monochrome version looks far better than the colour one. Another conscious decision was to include some spray to further differentiate.
The learning for me here was to consider using a long lens for landscapes – something I’d not done in the past. Accordingly I now have an filter adaptor ring on order!
