Canon 5D 26 mm, ISO 200, 5 sec @ f/16

This is a photo from the archives, taken way back in May 2008 whilst I was working in Dublin. According to the EXIF data this was taken at around 23:00 and I remember the thinking the reflection of the lights in the River Liffey may have made nice image.

Unfortunately I was wrong and this sat until very recently unloved and untouched in my Lightroom catalog. The lighting was vey warm and I just didn’t like the way it looked as it distracted from the architecture.

I decided to try converting to monochrome using the ever reliable Lenswork Warm Tone, then dodged and burned in a couple of locations. Finally, a tight crop to accentuate the width of the building and the job’s a good ‘un!

Canon 5D, 25 mm, ISO 200, 150 sec @ f/11

Well it’s been a long time since my last post and it’s been for a number of reasons that I won’t bore myself let alone anyone else with! This is a morning shot of New Brighton Lighthouse – taken at around mid-morning so the sun was already pretty high and falling directly onto the lighthouse.

I had been thinking about the purpose of the lighthouse and how mariners would view it as a welcome sight, being guided and reassured by its calming presence. Of course there are no rocks to be dashed up at the mouth of the Mersey but there are shallows and sandbars all the same. To help enhance the feeling of calmness I chose a long exposure to smooth the clouds and water, and applied the good old Lenswork Warm Tone preset in Lightroom. I pushed the shadows slightly to reduce contrast and added a gentle vignette. Whilst the lighthouse is the main subject, I really like the presence of the huge cranes in the background; their brooding presence highlighting the solitary nature of the lighthouse…

I tried a new crop ratio with this image too and I have to say I like it.

Canon M6, 23 mm, ISO 200, 71 sec @ f/11

Having read about Kynance Cove and that it got incredibly busy during the day, I wanted to make sure I staked my spot, so one morning I arrived there at around 06:30 to find a couple of other people wandering around walking their dogs, another person with a camera who looked to be packing up already and a fisherman who was on his way home, apparently having caught four bass. Kynance Cove is a National Trust site that is absolutely stunning. From the car park it’s approached by walking down. steep path. I didn’t attempt that due to my choice of footwear. However, I wanted to get a high-level shot so that was fine by me. As usual the Big Stopper was brought out to play and it occurred to me that it might be worth trying a panoramic shot. The above image is made of three separate shots, stitched together in Photoshop. I wish I had thought about it a bit longer and taken a fourth as I feel the cottage on the right is too close to the edge of the image. Oh well. Once stitched together, the image had a bit of adjustment including the ever-reliable Lenswork LW Warm Tone treatment. A few days later I went back to the site but could hardly stand up thanks to Storm Ellen that was passing through, and any thoughts of setting up the tripod were instantly dismissed! Instead I retreated to the relative safety of my tent though there were times when I thought that would blow away too…

Canon EOS M6, 22 mm, ISO 100, 1/640 sec @ f/8

Over Christmas and New Year 2018/19 we spent time touring Thailand. We visted Bangkok before flying to Koh Tao for some diving, then getting the train from Surat Thani up to Chiang Mai before driving up to Chiang Rai, then returning to Bangkok for one last night. At the centre of the trip, wedged between time spent in Koh Tao and Chiang Mai was a five night stay on an island called Koh Yao Noi. On Christmas Eve we hired a couple of scooters and spent all day driving round. Stopping for lunch in a tiny fishing village I took a walk along a long pier where a haziness meant the view was was almost fog-like, whilst the sea was a similar shade of blue to the sky and everything appeared very flat. In the distance were some fishing boats whose relative proximity provided the only items of contrast against the background.

Canon EOS M6, 136 mm, ISO 400, 120 sec @ f/11

After weeks of endless sunshine, the weather finally broke today and I popped down to the sea at West Kirby. At the Marine Lake there were loads of windsurfers whilst out on the estuary a number of kite surfers were taking advantage of the wind. I used a lens I’ve not used for a while, my EF 70-200mm f/2.8L USM and took a few shots of the kite surfers but there was nothing to write home about so I got the old super stopper out and reverted to type with some long exposures facing Hilbre Island… This time I was able to use my new very hard 2-stop ND grad filter from LEE as well. I remembered to take an umbrella this time to shield the camera from the wind too and it seemed to do the trick. Plus it gave me some welcome shelter as well!

Canon EOS M6, 100 mm, ISO 200, 20 sec @ f/11

Last Sunday I did something I haven’t done in a while and attended a photography workshop. This was organised by Cambrian Photography Limited in Colwyn Bay and run by Paul Sanders. It was actually called a Fujifilm X-Series and GFX workshop but the initial blurb I saw on Facebook suggested that (a) you don’t need to own a Fuji camera and (b) you need to arrive with an open mind and a liking of cake. Two ticks for me!

The night before I was umming and ahhing over what to take and decided to persevere with my lightweight travel kit. I haven’t used the 5D Mk1 at all since getting the M6  back in August but I still have use of all my lenses thanks to the adaptor.

I ended up packing the M6 along with Canon’s EF-M 22mm f/2 STM,  EF 40mm f/2.8 STM pancake  and EF 100mm f/2.8 Macro USM. As it happened I only used the 100 mm lens throughout the day.

After a decent bacon and sausage buttie at Blod’s Cafe I wandered over to Cambrian and met some of the other attendees outside the shop. We were soon ushered inside to where others were waiting and after a brief introduction by Paul we set out.

The plan was for long exposures on the beach in the morning and macro at Aber Falls in the afternoon. We ended up at Penrhyn Bay for the long exposures which was fine until I realised I’d forgotten my tripod adaptor! Duh! Fortunately I was able to borrow a tripod so eventually took a few shots. Finally after trying for months I managed to make good use of my mist filter. Normally the effect ends up looking forced and unnatural but I think this time it helped things. Speaking of filters I decided that I really did need to equip myself with a hard ND grad filter rather than my soft grad for use in such scenarios where the horizon is pronounced.

After a couple of hours we headed to a local cafe, The Loaf for lunch. Another attendee, Jonathan (a fellow Lenswork subscriber), and I sat with Denis and Fre Hocking over an enjoyable long lunch.

Suitably fed and watered we headed out to Aber Falls. I don’t particularly enjoy macro but there were more opportunities for long exposures in a little stream or of course at the waterfall itself. I chose not to trek to the falls but to potter around by the stream near the car park.

The day was well organised, and very relaxed. We overrun by a hour or so, likely due to the extended lunch break but no-one was complaining. It was a great day with lots of assistance being offered by Paul and the whole Cambrian Photography team. Being Wales it obviously rained during part of the day but it was at the very tail end and didn’t spoil anything.

Canon M6, 100 mm, ISO 100, 1/4 sec @ f/8

On the Liverpool waterfront at Pier Head is a statue of a quite remarkable man, Captain Frederic John Walker DB DSO *** Royal Navy (1896 – 1944).  Walker was responsible for sinking more German U-Boats during the Battle of the Atlantic in World War II than anyone else, and had this statue unveiled in 1998 by HRH The Duke of Edinburgh. The statue is in memory of Walker, the men of his 36th Escort and 2nd Support Groups and all those who fought in the Battle of the Atlantic 1939-45.

I have taken a few pictures of this statue but I wanted to try something different, inspired by the words and attitude of Paul Sanders during a talk he gave at Digital Splash last week. I decided to try massively overexposing on a bright day. Instead of the correctly metered 1/50 s, I chose to use 1/4 s, completely blowing the sky out and rendering the statue in a way I think looks similar to a pencil drawing, the close crop enhancing Walker’s determined look.

Other than desaturation and sharpening the picture shown is as taken.

Canon 5D, 40 mm, ISO 200, 3.2 sec @ f/5.6

For the first time in a while I managed to get out with the camera and spend an hour or so wandering round. I came across some playing fields and spent some time exploring. Next to the playing fields is a a cemetery and completely in line with the penalty spot and the centre of the goal is a large stone cross, perhaps offering divine intervention and an unfair advantage for any believer about to take a penalty…

I’ve had a couple of ideas for a project to start working on and there are irons in fires so hopefully something will happen, or even ‘kick off’ to use relevant terminology but I’ll just have to wait and see…

As an aside this image is actually my first attempt at HDR, generated from 5 images and merged within Adobe Lightroom. I’m not normally a fan of the overly synthetic look that HDR delivers but it seems to be OK here. The final image was then adjusted using the LW Warm Tone template from LensWork Online. I absolutely love this tone and spent ages trying to match it until I discovered it was available to download!

Canon 5D, 28 mm, ISO 100, 247 secs @ f/16

In my efforts to capture a decent long exposure with the Big Stopper during a recent trip to Roker, I was forced closer to the water’s edge for two reasons. First I could only attach the filter to my 17-40 mm lens and secondly in order to ensure there were no distractions, the wide angle lens would only be suitable if I got between said distractions and the water.

I found a great little spot at Roker Harbour where the water came quite close to the pavement so I didn’t even have to get sand on me or my equipment – always a bonus! As I was setting up there were some nice shafts of light coming through the clouds so I stuck on a polariser and 0.1 ND grad and took a few shots. I then added the Big Stopper. I calculated I needed a 128 second exposure but it looked too dark once completed.

The sun was continually breaking through and then being covered by the clouds so I then experimented at 180, 240 and 360 seconds. My initial preference was the 6-minute exposure but after consideration I chose the 4-minute one above. It’s slightly over the time as my fat fingers hadn’t released the shutter properly. I think I’m getting there. Some additional foreground interest would help I think – a couple of decent sized rocks or posts, but I included the water’s edge to compensate for the lack of those.

Canon 5D, 100 mm, ISO 200, 1/3 sec @ f/11

Last week my other half had to travel to Sunderland for a meeting so I thought I’d tag along and we stayed in nearby Roker. I was keen to visit as my friend Paul Mitchell had taken (as usual) a stunning photo of the pier there. I was also hoping for the opportunity to take some more long exposures as it’s a form I really enjoy but one I’m finding difficult to master.

Sunrise was  at 05:01 so fifteen minutes before I was set up but was immediately faced with two problems. First the tide was out and to take a shot that showed the curve of the pier nicely I would need to be quite elevated. Elevation wasn’t a problem thanks to the road that ran along the coast using my normal 17-40 mm lens would mean capturing a whole load of unnecessary foreground and lamp posts. Instead I tried my 100 mm lens which framed the image nicely. The real problem was that I then couldn’t attach any of my filters as I didn’t have a 58 mm adaptor ring.

Annoyingly the image, whilst nice, looks to be an attempted straight copy of Paul’s in terms of framing – something I was anxious to avoid! Photographers tend to develop an annoying habit of just copying what is perceived to be a good shot. I want to neither do, nor be accused of that but I think in this instance the shape of the pier and the plethora of encroaching objects meant there was only one obvious way to frame the shot.

Anyway it’s different enough from Paul’s in that it’s not a long exposure, and the cloud cover meant that a monochrome version looks far better than the colour one. Another conscious decision was to include some spray to further differentiate.

The learning for me here was to consider using a long lens for landscapes – something I’d not done in the past. Accordingly I now have an filter adaptor ring on order!